DJ: What first got you interested in dancers?
Paul Phung
Paul Phung is a photographer based in London and working internationally. His work focuses on people with a particular emphasis on collective movement. In recent years Paul has developed a unique working relationship with a group of dancers with whom he’s developed an enquiry that continues to evolve.
PP: It started from a lot of frustration within my own work and not understanding how to direct models with my ideas as I envisaged them. I wanted more movement within my fashion photography so I think it was a natural step to work with dancers.
DJ: How do you like to work with them?
PP: To have an organic collaboration together, we normally meet up several times before a shoot and discuss ideas, try some tests. Then by the day of the shoot I normally let them go for it, as we all understand the outcome.
DJ: Does being a photographer change the way you see?
PP: Definitely. I’m not sure I can shut that part of my brain off anymore. Sometimes my favourite thing to do is stare at blank walls if the light hits it well.
DJ: Do you ever remember images from your dreams?
PP: I’m not sure if I remember images but the other week, I think I was slightly having a lucid dream. I remember having a camera, trying to compose a photograph and directing. But I can’t remember what the subject was.
DJ: Where do you love working?
PP: I think I can work anywhere but what I love most is working with people that share similar interests to me, with a team I’m comfortable with and respect.
DJ: How has your personal background influenced you work?
PP: Hugely. Everything from my teenage years has had an influence on my work. For example, I moved around a lot as a teenager, mostly quite bleak towns and cities, and that has had a big impact on the tone of my photography.
DJ: Do you believe in fate?
PP: I’m sure my views on this will change but for now, no. I believe In creating your own path, I believe in dreaming big and that anything can be accomplished with passion and dedication. ●